Showing posts with label 1987. Show all posts
Showing posts with label 1987. Show all posts

Wednesday, February 22, 2012

#475 Bruce Springsteen- Tunnel of Love (1987)

My best friend and I go all the way back to the 5th grade.  We're both married now (not to each other), and life has evolved where we don't get to hang out as much as we'd like, but there was about an eight year block or so of high school and college that we did pretty much everything together.  Of course, music played a tremendous role during those years, and where as my musical heroes were the Beatles, his was Bruce Springsteen.

The tour guide I had back then to all things New Jersey pointed me toward songs and gave me insight that the average musical tourist passing through would have certainly missed, and I'm sure I reciprocated with things Liverpuldian.  We saw the concert that followed this album together and have often reminisced about it.  I'm lucky to have such an amazing now 30+ year friendship, and even luckier that Jovo's musical hero wasn't Jackyl.

Bruce was just coming off the whole Born in the USA album/tour/misinterpreted Jingoistic mega-movement.  He was in the last throes of a failing first marriage, and much of the album is introspective; songs about doubt, struggle, perhaps the disenchantment of love in theory, and marriage in reality.  I remind myself before listening to the album again that Bruce was 37 when writing this.  Mid life crisis, that hard steep staircase from our dream floor to reality that we all tumble down, perhaps this album was meant to carpet those steps.  Like most of us, Bruce eventually landed and found reality to be wonderful, but boy that first step can be a doozie.

Ain't Got You-  Bruce stripped down, voice, acoustic guitar, and harmonica.  You get the idea that he's setting the tone for a change in sound.  The song is too similar in concept to another favorite of my friend's and I, that I can't help but point it out.

Tougher Than the Rest-  I remember how wide and keyboard driven this sounded in concert.  Mostly recorded in Bruce's home studio.  The whole sound, drums, layered synth, it sounds heavy...weathered.  Bruce sings "well there's another dance, all you gotta say is yes, and if you're rough and ready for love, honey I'm tougher than the rest."  It's not how many times you fall, but how many times you get up that counts.

All That Heaven Will Allow-  a quick but warm and thick sounding song that first refers to the girl as all that heaven will allow, but then talks about how having the right love makes you want a long life: "I want all the time, all that heaven will allow"

Spare Parts-  a rocker albeit dark and bleak.  An unwed mother struggling to survive after the father runs off, contemplates drowning her son to avoid the commitment.  This song seems a little out of place on the album.

Cautious Man-  starts out in classic Springsteen story telling mode.  Guitar, voice... but when the pad layered synth sound comes in, it adds a gravity and depth that's breathtaking.  "On his right hand Billy'd tattooed the word Love and on his left hand was the word fear, and in which hand he held his fate was never clear"

Walk Like a Man-  is a song to Bruce's father, a song from a perspective he'd never had before, that of a husband.  Perhaps a little more forgiving and understanding of the difficulties his father endured.  "Well I was young and I didn't know what to do, when I saw your best steps stolen away from you, Now I'll do what I can, I'll walk like a man"

Tunnel of Love- Side two of the album (the last of Bruce's albums to be officially released as side one/side two) opens up with the title track.  I've always loved the metaphor, the carnival ride for marriage.  "The house is haunted and the ride gets rough, you've got to learn to live with what you can't rise above"  I bet even my best friend didn't know the middle part was a lift from the Moody Blues.  Nah, he probably knew.

Two Faces-  describes the inner struggle of man, the conflict of a duality.  One face of him swears to make her happy, and yet one makes her cry.  The writing is good, but the choice of guitar tone and organ, horrible.

Brilliant Disguise-  was the first single released (Tunnel of Love was the 2nd).  Both made it to the #1 spot on Mainstream Rock charts.  It's a song about doubt, in self and partner.  "who do I see when I look in your eyes"  I know this blog has been about listening to the music, but I can't forget the video for this.  It broke MTV ground for being the first single shot video without edits.  It's a song about trust, looking into someone's eyes; the almost painful video is a slow zoom of Bruce looking into the camera. "God have mercy on the man, who doubts what he's sure of"

One Step Up-  was the third single released from the album.  It's a song about the inability to resolve differences, degrading to cheating.  The singer accepts his role and responsibility "When I look at myself, I don't see the man I wanted to be"  Bruce recorded and played all the instruments on this song, the only other person to sing, ironically, is the woman he would marry after his break up, Patti Scialfa.

When You're Alone- I listen to this song again, and I'm struggling to find it's meaning.  At first I hear it as an angry song, and then it turns to sad, then forgiving, but then vengeful.  Maybe that's the point, so many emotions swirling around that it's difficult to think straight?

Valentine's Day-  somehow this song got past me, I'm sure I've heard it before... but I don't remember "hearing" it.  It's such a gem--perhaps in the last song on the album, the final landing on the bottom step of reality/dream, maybe that fall knocked some sense into Bruce.  "It wasn't the bitterness of a dream that didn't come true... No No baby it was you"

What a great listen that was for me, now on the adult side of the bumpy steps.  Not all marriages last, nor do many many more relationships.  Maybe the pieces don't match up, maybe there were gaps too large for the glue of love to set hold, or perhaps one or both of the people just weren't ready... I'm not going to act like I have any more answers than the next person... but I can appreciate Springsteen's tunnel of love metaphor; the ideal, excitement and dream of love upon entering, and the hard work, struggle, strain, and commitment through the sometimes dark and scary ride, that it takes to see the light at the end of it.

Next Up- #474 Otis Redding- Otis Redding Live in Europe (1967)

Wednesday, February 8, 2012

#480 George Michael- Faith (1987)

I apologize for the huge gap between blogs.  My father's been dealing with some medical issues, and it has been consuming a lot of my time and energy.  My intention was to listen to an album a day.  I'll finish the 500 in a year, it may just require some catching up, have faith.

The year that I graduated from high school, George Michael graduated from the school that educated the likes of Paul Simon, Daryl Hall, Keanu Reeves, and Lenny from Laverne and Shirley.  The "where's your sidekick now" school of thought.  I'm still not sure what "the other guy" did in Wham, but it couldn't have been much, GM pretty much brought it all to his first solo album.  I don't remember if he was out of the closet or not yet, but I do recall how an 18 yr old Midwestern kid raised on Zeppelin and VH rejected this album at first.  That is, until I listened, and then it was hard to deny how good the album was.  Or at least, that's how I remember it.  Let's try it again eh?

Faith-  the second and best selling single of the album.  Built on the spine of a Bo Diddley beat, it's got dynamics, great tight harmonies, and it's a more stubborn man than I am who could hear this three minute song and not admit he wants more.  Recognize the church organ intro?

Father Figure-  the third single released from the album, actually started out as an uptempo dance song, but during mixing, Michael removed the snare drum and liked it better this way.  The churchy choir sounding backing vocals add to the religious album pseudo-theme.

I Want Your Sex-  It's really hard to imagine a time that this record breaking single was so controversial, that it was banned from airplay, but then again I suppose Footloose the movie was based on a real place.  I love the 2nd part that rarely gets airplay complete with horns, funky bass, and piano break down.  The 3rd part of it "sexy baby", I'll admit that pushes the envelope a little far, and feels a little forced.

One More Try-  Another churchy or almost gospel sounding single.  Faith again is ambiguously weaved between the fabric of love and religion.

Hard Day-  funk inspired, but a little busy to my taste.  Lot of drum programming going on.  Dare I say this is the filler of the album?  His sped up vocals at the end is very much like Prince.  This song is probably better known for the Shep Pettibone remix of it.

Hand To Mouth-  While I have a hard time hearing past all the drum sequencing again, I do for the first time hear the book to this song.  "I believe in the gods of America...but no one told me that the gods believe in nothing, so with empty hands I pray."  A little criticism of the Reagan-era American Dream that had become harder and harder to achieve.

Look At Your Hands-  A carry over song written back in the Wham days.  Honestly I had forgotten about this song; I probably would have bet the farm that this was in fact on a Wham album and not on Faith. I'm glad to be reacquainted with this strong addition, but it feels slightly out of place with the album.

Monkey-  This song sounds as fresh today as it did almost 25 yrs ago.  The strict rhythm reminds me of Nine Inch Nails (can you hear it?)  It was his fourth consecutive #1 single from the album.  I better start working on the NIN/Monkey mashup before someone beats me to it.  Maybe "I want to fuck you like an animal, a monkey?"

Kissing a Fool-  Easily my favorite song on the album (I'm a sappy piano player-what did you expect).  It was his fifth released single and the first not to hit #1.  GM recorded the vocals A Capella in one take and the loungey jazz music was added afterwards.  I'm not sure if there was a video to this, but the way my ear "sees" it is in 1940's black and white.  Ugh, I'm the fool.. here it is.  Thanks Youtube.

Faith was one of those ridiculously popular albums in the late 80's that you couldn't hide from, and really, why would you want to?  George Michael who wrote, produced, and played many of the instruments on the album deserved the diamond status (25 million copies sold).  As a well adjusted adult male, I can profess my love for this album with little hesitation.  But the true mark of the album's power, was that even as a slightly homophobic teenager in 1987, I did as well.

Next Up-  #479 Richard and Linda Thompson- I Want to See the Bright Lights Tonight (1974)